Drawing from family members was quite difficult as I often took a long time and they ended up getting impatient. However I should get used to it because on location people will always be moving and I need to practice getting information down quickly.
In the picture above I started by drawing the chair and felt that this really helped me to figure out the proportions of the person. Although they are still not perfect, I was able to line up points of the chair with different points on the body, allowing me to know when to stop drawing something like the shoulder or the head for instance. I wish I would have spent more time on this drawing to add shading and texture or maybe I should just become quicker at recording the information so I have time to do that at the end.
I liked the angle that this person was positioned as it meant that I could practice my forshortening. The foot is the nearest thing to the viewer and therefore it needed to be bigger than curtain other parts of the body such as the head which it normally wouldn't be. As her leg was bent and I was viewing her straight on I couldn't see all of her legs. Getting this in mind was difficult as I kept on having to remind myself to draw what I see rather than what I know is actually there. The fact that the object she was sitting on was soft made the drawing increasingly difficult as the context then became an assortment of strange shapes, however this was quite fun to practice drawing.
This model posed for longer so I was able to add shading and texture to the figure and the chair. I liked being able to do this as again it allowed me to experiment with my style and put my own stamp on it.







